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Rationalität und Subversion in der Zentralperspektive

Zurück zum Heft: Phänomenologische Forschungen 2008
DOI: https://doi.org/10.28937/1000107950
EUR 14,90

This article engages in a mutual elucidation of works of art constructed in central perspective (both painting and film) and Cartesian philosophy in order to point out a methodological problem in the latter. This problem and its repercussions are found also in the conflict between transcendental and hermeneutic method in phenomenology. This conflict is reflected in the movement of the article itself which alternates between descriptive and interpretative approaches.