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Muybridge / Technology 

Zurück zum Heft: ZMK Zeitschrift für Medien- und Kulturforschung 1/1/2010: Kulturtechnik
DOI: https://doi.org/10.28937/1000106299
EUR 0,00

Eadweard Muybridge's 1887 photographic atlas Animal Locomotion is a curious mixture of art and science, a polysemic text that has been subject to a number of readings. This paper focuses on Muybridge's technology. It seeks to understand his commitment to making photographs with a battery of cameras rather than a single camera. It suggests reasons for his choice of apparatus and shows how his final work, The Human Figure in Motion (1901), justifies the choices he made.