Andrea Kern

Gemäß der üblichen Auslegung besteht Kants maßgeblicher Beitrag zur Philosophie darin, eine Position entwickelt zu haben, die das Dilemma zwischen zwei gleichermaßen unbefriedigenden Konzeptionen unseres Urteilsvermögens überwindet: der empiristischen Konzeption, der zufolge der letzte Grund des Urteilens in Akten der Empfindung zu finden ist, und der rationalistischen Konzeption, der zufolge der letzte Grund in Erkenntnissen besteht. In meinem Text konzentriere ich mich auf Kants Analyse der Schönheitsurteile und argumentiere, dass Kant in seiner Analytik des Schönen nicht einfach ein anderes Verständnis vom Begriff der Schönheit entwickelt, sondern dass er eine andere Vorstellung davon hat, was es bedeutet, ein solches Verständnis zu haben. Kants sogenannter Mittelweg stellt die Annahme infrage, dass der Philosoph oder die Philosophin den Begriff der Schönheit von außerhalb desjenigen Selbstbewusstseins untersuchen kann, das derjenige hat, der kompetent über Schönheit urteilt. Nach dieser Lesart ist Kants Darstellung der Schönheitsurteile deswegen von besonderem Interesse für die Philosophie, weil Schönheitsurteile eine Form besitzen, die die Form jener philosophischen Urteile widerspiegelt, die diese Form artikulieren. According to the standard interpretation, Kant’s major contribution to philosophy consists in his position that overcomes a dilemma between two equally dissatisfying positions on how we understand our capacity for judgments: the so-called empiricist position, according to which the ultimate ground for judgment is to be found in acts of sensibility, and the so-called rationalist position, according to which its ultimate ground is to be found in cognitions. In my paper I focus on Kant’s analysis of the judgment of beauty and argue that in his analysis of beauty Kant does not simply develop another understanding of the concept of beauty, but that his understanding of beauty manifests a different conception of ›what it means to have such an understanding‹ in the first place. Kant’s so-called middle course calls into question the assumption that the philosopher can investigate the concept of beauty from outside the self-consciousness that constitutes the capacity of his competent judgment of beauty. According to this reading, Kant’s account of judgments of beauty is of special interest to philosophy because they turn out to have a form that, in a certain respect, mirrors the form of philosophical judgments which attempt to articulate this form mehr

Von »Die Kunst der Entzweiung« (1987) bis »Spiele der Sprache« (2023): Martin Seels Texte mischen die Karten von theoretischer, praktischer und ästhetischer Reflexion neu und schlagen Brücken ... mehr

Martin Seel wonders how it is possible to liberate oneself from wanting to be right. In the following, we will ask whether the idea of a wanting to be right is so much as intelligible. For if one thinks about thinking and asks what it means to think something, then the idea of wanting to be right seems to have no place. Both the possibility and the necessity of a liberation from wanting to be right seem to dissolve. And yet, we will show, there is wanting-to-be-right. But we do not understand the idea of wanting-to-be-right merely by thinking about thinking. Rather, we understand the idea of wanting-to-be-right only because thinking is something that takes place between two whose thoughts can contradict each other. If my thought meets your thought, and your thought negates my thought, then it is possible that we both want tobe right. This is the existential core of the idea of a liberation from wanting to be right: It is about the liberation from conflict and the hope for reconciliation. mehr