Zeitschrift für Medien- und kulturforschung

Schwerpunkt: Sendung

Herausgegeben von Lorenz Engell und Bernhard Siegert

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Herausgeber/in Lorenz Engell Bernhard Siegert
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Even in liberal democracies there are media forms and procedures monopolized by the state. Such are the methods to secure and stabilize the authenticity of money and state documents, i.e. the central media of economy and the state. In terms of a media history of the state, the paper describes these forms and methods of securing authenticity and shows how the state had to respond to ever new technological threats to its media monopoly.
Conservation and exhibition of historical works of art run many risks of misrepresentation of the life and meanings of objects. This paper explores the identities of some particularly compelling examples of Byzantine art restored under special circumstances at the Menil Collection in Houston, Texas. This examination of the restoration of frescos and icons, and their particular display histories, reveals the contingencies of our encounters with and explanations of historical art.
Threads, ropes and textiles are elements of everyday life, which have reached a high technical level of development early in human history. The spinning of the yarn, one of the oldest forms of knowledge, seems to be, like the origin of every form of art, inseparable from a particular mythology. Besides their practical use, threads, nodes and tissues must have been quickly charged with symbolic meanings. This article examines the symbolism of the thread, the node and the tissue as metaphors that are sometimes connected with life and sometimes with death.
A debate is a public dispute that follows certain rules. The goal of a debate is not the solution of a problem as in a discussion , but to point out positions. In a debate, not only arguments, but also polemics and the courage to take a stand are essential. Besides certain rules that are accepted by all participants, a debate needs a so-called debate culture in order to be productive. Christian Demand and Ekkehard Knörer lead a debate on the establishment of this concept in the 1980s and develop theses for its alleged disappearance caused by the acceleration of debates under the conditions of “new media.”
To the extent in which postal 'sending,' the successful delivery of messages, dramatically improves since the European eighteenth century, the persuasiveness of the religious sense of mission or 'sending' is fading. This is not surprising. To be reached by a divine call, by a Kerygma, should, indeed must be an exquisite exception of the regularities of everyday life. Many are called but few are chosen (Matthew 22:14). In somewhat enlightened times, the question of the reliability of heavenly sendings cannot be suppressed anymore. Anyone can deny anyone to be the truthful addressee of divine sendings. There are no intersubjectively binding states of transmission between heaven and earth: this higher triviality is predicable and writable since 1750. Complementary to this development, the controllability of terrestrial sendings increases– despite enormous gains in complexity.
Both the structure of the Google search algorithm and the rhetoric surrounding the company suggest Google's aspiration to attain the classic theological status of omniscience. Understanding how Google performs online searches shows that this most characteristic of all digital media corporations fits in a long lineage of religious media that claim to operate ontologically.
Among the many institutions of sending, television certainly represents the most successful one over long decades. Nevertheless, given the changes that the medium incurs in terms of broadcasting and broadcasts as a consequence of digitalisation, many proclaim – and not entirely without reason – the post-broadcast era. This paper studies these changes by way of a reading of different television series. The format of the series seems particularly suitable to this end, since the broadcasting of television seems deeply linked to seriality and the serial as a principle. The changes in television broadcasting can be gleaned from the forms and changes of the serial.
This article takes the second screen – television-related use of smart phones and tablet computers – as a starting point to discuss how current culture is shaped by the ever more heterogeneous connections between multiple devices, texts and platforms. They form unstable assemblages that simultaneously highlight and undermine the specific affordances of their elements. Focusing first on technical and industrial and then on practical and domestic procedures of creating connections, the current media landscape will be described as >convergence as crisis
As a novelty of the industrial and postal modernism of the late 19th century, the postcard differs from the letter in terms of media culture. While the paradigmatic act of verbal intensity and extension (of “writing” or “composition”) is constitutive for the latter, the postcard represents an opposing model of reduction and substitution of scripture. The postcard symbolizes the trenchant signal whose value is obtained from the mastery of sending. To show in what way the medium of short communication has been instrumental in the emergence of a modern culture of “sending” is the aim of this paper.
Google is not only a worldwide enterprise that represents like no other the power of search engines and the Internet in general. In this interview from 2009 Barbara Cassin analyzes Google's rhetoric and sense of mission, which is “to organize all the information in the world.” Cassin characterizes this claim as global, violent and total, and shows that it also influences contemporary notions of democracy, culture and science. In the course of the conversation, it becomes clear that this influence not only has positive effects.