Tanja Stähler

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Tobias Trappe | Silvia Stoller | Thomas Franz | Thorsten Kubitza | Christian Möckel | Felix Ó Murchadha | Tanja Stähler | Julia Jonas
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Phänomenologie als Therapie: Thomas Fuchs: Zeit-Diagnosen. Philosophisch-Psychiatrische Essays; Feministische Phänomenologie in Nordamerika: Linda Fischer / Lester Embree (Hg.): Feminist Phenomenology; Lambert Wiesing: Phänomene im Bild; Kurt Wolf: Religionsphilosophie in Frankreich. Der "ganz Andere" und die personale Struktur der Welt; Ursula Stenger: Schöpferische Prozesse. Phänomenologisch-anthropologische Analysen zur Konstitution von Ich und Welt; Edmund Gusserl': Sobranie socinenij, tom III (1): Logiceskie issledovanija, tom II (1): Issledovanija po fenomenologii i teorii poznanija; Dermot Moran: Introduction to Phenomenology; Hugh. J. Silverman (Hg.): Philosophy and Desire; Ralf Becker: Sinn und Zeitlichkeit. Vergleichende Studien zum Problem der Konstituion von Sinn durch Zeit bei Usserl, Heidegger und Bloch

Reihe: Phänomenologische Forschungen 2003

1 Seite

6,90 €
Tanja Stähler
Der Raum des Kunstwerks bei Heidegger und Merleau-Ponty

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Reihe: Phänomenologische Forschungen 2001

16 Seiten

14,90 €
Tanja Stähler
Heideggers Phänomenologie des Gewissenrufs

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This essay examines Heidegger’s phenomenology of conscience in Being and Time. From a phenomenological perspective, the call of conscience needs to be analysed with respect to who is calling, who is being called, what message is conveyed, and how the message is conveyed. Heidegger’s results are rather surprising to our common understanding and impose various challenges on his interpreters. In my article, I return to Heidegger’s text in order to question some persuasions and assumptions of the common readings. The call comes from me, yet in such a way that it overcomes me. The call does not come from a different being in the world, and the call of conscience should thus not be conflated with the ‘voice of the friend’ mentioned in an earlier section of Being and Time. Rather, we need to take the call seriously as alien and yet my own, giving me to understand that I am guilty before and outside of any economy of deeds. Because the call of conscience belongs to such a fundamental level, Heidegger’s response concerning the ‘how’ of the call also becomes understandable. The call is unambiguous, even though we always give ambiguous interpretations of it.

Reihe: Phänomenologische Forschungen 2009

26 Seiten

14,90 €
Tanja Stähler
Lévinas und die Ambiguität der Kunst

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According to Lévinas, art is an ambiguous phenomenon. He shares this conviction with Plato and bases it on Platonic arguments. Lévinas often refers to the Platonic critique of writing in the dialogue Phaedrus and employs it to support the thesis that all works, especially all artworks, are subject to misunderstandings and misinterpretations. Art is lacking the immediacy of the ethical encounter with the Other, and it allows us to evade reality. In this article, I will turn to the ambiguity of art and show that the diagnosis of an ambiguity is convincing, yet might not necessarily yield a rejection of art.

Reihe: Phänomenologische Forschungen 2007

16 Seiten

14,90 €
Karl-Heinz Lembeck | Karl Mertens | Ernst Wolfgang Orth (Hrsg.)
Phänomenologische Forschungen 2007

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Reihe: Phänomenologische Forschungen 2007

2007, 276

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Tanja Stähler

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