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Einband
DOI
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ISBN
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Originaltitel
Umfang	ca. 190 Seiten
Erscheinungsjahr (Copyright)	2025
Reihe	Kulturwissenschaftliche Zeitschrift 2/2025
Herausgeber/in	Kulturwissenschaftliche Gesellschaft
Beiträge von	Claudia Benthien Hansjörg Dilger Anne Gräfe Manuela Günter Laura M. Reiling Henrike Ribbe Sebastian Schönbeck
Hersteller nach GPSR	Felix Meiner Verlag GmbH Richardstraße 47 D-22081 Hamburg Telefon: +49 (40) 29 87 56‑0 Fax: +49 (40) 29 87 56‑20 E-Mail: info@meiner.de

Einzelartikel als PDF

Manuela Günter

Jean Amérys Ressentiments

Against the powerful disqualification of ressentiment as »slave morality« (Nietzsche) in the sense of a psychosocial defect of the »weak«, this essay aims to recall the critical appropriation of this concept. Jean Améry, a Holocaust survivor, substantiated ressentiment as a passive strategy of resistant survival and as a form of remembering the Shoah. His »victim ressentiment« allows him to remain in opposition to the official discourse of remembrance, which culturally appropriates the past in its talk of ›overcoming‹ and thus dispossesses the victims oftheir history.In Améry’s logic, ressentiment is an »expression of a morality of the highest order«. As such it appears as a legitimate and necessary attitude of the marginalized and discriminated. Against the assumed moral superiority of reconciliation, their ressentiments are indispensable in order to establish urgently needed moral imperatives against contempt for humanity of all kinds.

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Claudia Benthien

Digitalität und Entnetzung in deutschsprachiger Buchlyrik

This article investigates contemporary book poetry written in German against the backdrop of current discourses on digitalization, post-digitality, and disconnectivity in sociology, and media and literary studies. It discusses poems by Carla Cerda, Sirka Elspaß, Simone Kornappel, Tristan Marquard, Silke Scheuermann, and Ulf Stolterfoht, alongside poems by the text collective 0x0a, based on the poetry of Monika Rinck, as sometimes highly reflexive and advanced treatments of the (post-)digital present. A key focus is the question of how poetry engages with, reflects on, and potentially problematizes everyday networked experiences. The article shows, among other things, how some of the poets develop poetic devices to reveal hidden digital infrastructures and technologies. Finally, it explores the status of »book poetry« as a genre in this context in light of the fact that it is no longer the first option for publishing poetry. This is intensified when digitally generated poems (particularly those produced by AI) are printed in books as a post-digital strategy or »secondary analogization,« which raises new questions about the mediality and materiality of poetry.

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Anne Gräfe

Über die allmähliche Verfertigung des Selbst beim Schreiben

Marica Bodrozićs literarische Arbeiten als autopoietische Praxis

This essay examines selected literary texts by Marica Bodrozić in order to explore the interplay between literature and identity formation as a process of ethical-aesthetic self-care. The theoretical framework draws on HannahArendt’s and Michel Foucault’s political and ethical concepts of self-care, as well as their basic praxeological assumption that philosophy is itself an active mode of self-subjectification. Focusing on Bodrozić’s distinctly autobiographical works - situated between poetic fiction and philosophical nonfiction - the essay argues that her literature functions not only as a practice but also as a poietic form of self-care in Foucault’s sense: as philosophy in actu, enacting self-subjectification and thus constituting an autopoietic practice.

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Laura M. Reiling

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Landwirtschaft in der Literatur von James L. Mitchell und Angharad Price

This article examines four literary texts that are strongly characterized by the negotiation of agriculture, rural spaces, and rural life. Like the local colour fiction of Thomas Hardy, they focus on specific regions: a Welsh valley and the Scottish Mearns. James L. Mitchells short stories Scenes from Scotland (1934) and Angharad Prices novel The Life of Rebecca Jones (2002) represent the rural. The analysis aims to use and strengthen the not yet particularly common concept of rural writing or, more specifically, rural criticism. The article discusses the cultural techniques and historical changes of peasant labor in four texts of the 20th and 21st century from a literary and cultural studies perspective. The focus is on literary representations of peasant labor practices and, in particular, the relationship of peasants to the soil that they cultivate under high effort. Nature has at the same time a resonant quality interweaving the peasants and their rural surroundings.

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Henrike Ribbe | Sebastian Schönbeck

»Bachmanns Echos« und ihre literaturwissenschaftlichen Kontexte. Brigid Grigg, Jessica Martensen, Henrike Ribbe, Anna Seethaler, Sebastian Schönbeck: Bin ich’s oder bin ich’s nicht. Bachmanns Echos. Ein internationales Nachwuchskolloquium. Vom 25. bis 26.

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Hansjörg Dilger

Rezension von: Andreas Reckwitz „Verlust: Ein Grundproblem der Moderne" (Berlin: Suhrkamp, 2024)

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